In this study, 201 colours were measured from 164 daylily species, and these colours were clustered by K-Means, and then Memphis design style colours, Chinese traditional colours and daylily colours were compared and analysed. The results show that: 93% of daylily colours are warm colours, daylily colours after clustering have similar colours with Memphis design style colours, but the contrast of daylily colours is weaker than that of Memphis style colours, and the two styles are different; five Memphis style colours after clustering have similar concepts with Chinese traditional five colours, and through the five of Chinese traditional colours, we can see the source of cultural self-confidence; some of daylily colours are very similar with Chinese traditional colours. Very similar, its display of natural beauty, social beauty, artistic beauty conveys the rich humanistic feelings such as forgetfulness, filial piety, nostalgia; the era of daylily "forgetfulness" cultural symbols have a new interpretation, daylily become one of the cultural symbols of socialist core values.

Paeonia lactiflora is a traditional famous flower in China. In recent years, there have been more and more areas holding Peony Cultural Festivals in China, and rich experience has been accumulated in the development, management, and organization of planning mode. By sorting out the development status of the domestic Peony Cultural Festivals, this paper analyzes the curatorial mode and highlights the current Peony Cultural Festivals. It is found that the Peony Cultural Festivals in many places can combine the local characteristic culture, activate the local Peony resources in multiple ways, vertically extend the Paeonia industrial chain, and deepen the integration and development of regional agriculture, culture, and tourism. However, to a certain extent, the dominant position of flower culture communication in the Peony Cultural Festivals was buried by the integration of multi-cultures and the extension and development of the' flower economy' industrial chain. Therefore, attaching importance to the leading role of Peony flower culture in Peony Cultural Festivals establishing a scientific and standardized festival evaluation system are important measures to promote the sustainable development of Peony Cultural Festivals tourism and revitalize Paeonia flower culture in China.

Cultural innovation and technological innovation are the two wings of the new-quality design productivity. Design, as an industry with "innovation" as its essential gene, has broad prospects for development. Shanghai is one of the cities that have the best conditions for developing innovative design. Focusing on the construction of a World Design Capital, accelerating the development of cultural innovation and leading the large consumption of design will fundamentally promote the high-quality development of the design industry.

Camellia is an important genus with economic and ornamental values and China is the distribution center of Camellia with abundant germplasms. With the improvement of people's living standards, Research on the efficacy of natural products such as plant extracts is becoming a hot topic. Studies have shown that the flower extracts of Camellias contain many active components such as flavonoids, phenols and polysaccharides, and have antioxidant, antibacterial, anti-lipid and anti-cancer properties. In the paper, the extraction techniques, active ingredients and efficacy of flower extracts from camellias are reviewed according to the representative literature, so as to provide reference for further development and utilization of camellia.*Author for corresponding

Osmanthus fragrans is one of the ten most famous traditional flowers in China, of which cultivation history in our country was more than 2500 years. It not only has a strong historical and cultural connotation, but also has a wide range of applications in medicine, diet, literature and other fields. This paper summarizes the origin, development and application of O.fragrans from the aspects of spiritual culture and material utility, respectively. We want to help spreading the culture of O.fragrans, and giving ideas and support for the development of O.fragrans industry.

Flower tourism, developed based on flower culture, has become one of the most dynamic industries in the world today. Chinese flower culture seems to be centered around "flowers", while deep exploration is a cultural phenomenon dominated by "people". Li Bai's timeless quatrain "Heading east for Yangzhou among hazy vernal hues", the legend of Emperor Yang of Sui not looking for Viburnum macrocephalum Fort. f. keteleeri (Carr.) Rehd., and the plum blossoms in Jin Nong's paintings endow Yangzhou with rich spiritual and cultural connotations. At the same time, using flowers as a medium to construct the image of Yangzhou city and promote its tourism development. This article takes the "Plum Blossom Forest on Lake" in Yangzhou Slender West Lake Scenic Area as an example to deeply explore its rich flower culture connotation and its impact on the tourism peak season of Slender West Lake, and to explore the impact of flower culture on the tourism industry.

Peony(Peaonia lactiflora)is a famous indigenous flower and medicinal plant in China. Its long history of cultivation and application has left its imprint a strong mark in many ancient books and classics, and formed an abundant and colorful Chinese paeonia culture, which has become an important part of Chinese traditional culture. This paper sorts out and analyzes the description of peony in Chinese ancient novels such as The Classic of Mountains and Seas, A Dream of Red Mansions, opera or scripts such as the Peony Pavilion and introduces the peony in pharmacopoeia such as Compendium of Materia Medica. The results of this study have a certain reference significance for perfecting the traditional flower culture system and promoting Chinese flower culture.

The cultural connotation of peony is fully discussed and explored by analyzing the origin of its name, the history of its cultivation and the intermingling of Chinese culture, the allusions to famous people, its application in gardens, etc. The peonyy is one of the mostl famous flowers in China. The peonyy is one of the mostl famous flowers in China. The cultivation history of peony in China can be traced back to more than 2, 000 years ago, and it flourished during the Tang and Song dynasties in China. It was greatly loved by the people because of its graceful and noble posture. Spanning more than 2, 000 years of life and death, it has been continuously blended with Chinese culture, and nowadays it is no longer just a symbol of beauty but also a symbol of wealth and good fortune and has become an inseparable part of Chinese culture. Meanwhile, peonies are widely used in modern gardens, such as peony specialized gardens, flower bands, flower platforms, and flower borders, and can also be used as potted plants and cut flowers, among which peony specialized gardens and peony flower platforms are the most widely used.

Flower image has a large weight in Strange Tales from Make-do Studio. The aesthetic artistic conception based on flower image is an important condition for the prominent literary style characteristics of Strange Tales from Make-do Studio. This study really aims to discuss the flower image and aesthetic implication of Strange Tales from a Chinese Studio, aiming to deeply analyze the literary and artistic value of the flower image and grasp the aesthetic implication of Strange Tales from A Chinese Studio. At the beginning of the article, the famous long story of Strange Stories from Liaozhai is taken as the entry point to discuss the deep meaning and reference content of different flower images such as plum blossom and crabapple, and finds that the author, according to the morphological characteristics of the flowers, rises to the psychology of the characters in different periods Features, to foil the emotional changes of the characters. Then, it is connected to the aesthetic implication structure of flower images in Strange Stories from Make-do Studio, including three dimensions of external image, spirit and artistic conception. Finally, it makes a thorough analysis of the artistic charm of flower image.

By searching for "fragrance" in "Complete Song Ci", this paper filtered out the words and phrases that described the "fragrance" of a specific plant or some specific plants. After summarizing and analyzing, it is concluded that the Song Dynasty lyricists wrote about the olfactory activities of garden plants, including the time of olfactory appreciation, olfactory appreciation object, olfactory appreciation behavior, olfactory appreciation environment, and olfactory appreciation of the fragrance type. At the same time, it summarizes the planting methods of Song Dynasty garden scented plants and the matching of plant species in different seasons, and draws out the planting wisdom of Song Dynasty scented plants, which enriches the theoretical knowledge system of scented garden plants and provides reference for the modern application of traditional scented plant culture.

With the acceleration of the aging process, population aging has become a major issue in today's society, and the current elderly residential field has gradually received wide social attention. However, in addition to meeting the needs of the elderly, meeting the external space environment of social communication and fitness activities with the elderly is also one of the key points of the research. As a vulnerable group, the elderly have a single demand for daily activities, and the lack of various design elements in the activity space is becoming increasingly prominent. In the social environment of the elderly, outdoor parks happen to be the main activity venues for the elderly. Nowadays, the traditional large-scale park model is no longer suitable for the process of urban renewal. How to realize the harmonious coexistence of public activity space and the needs of the elderly through urban micro-renewal, and suitable for the aging of urban pocket parks have become the focus of general social attention. This paper studies the design of aging environment to analyze the current situation of pocket park and the needs of elderly users. From the perspective of environmental design, the environmental design strategy of urban pocket park is put forward. Through this study, the possibility of the multiple environment breakthrough for the elderly and the construction of urban pocket park meeting the needs of the "new elderly" is an indispensable topic in urban micro-renewal.

The cultural connotation of tulips is fully discussed and explored by analyzing the origin of their names, cultivation history, literary works, and garden applications. The tulip is a world-famous bulbous flower and one of the most important flowers in the international flower market. Tulips in Europe and the United States have a wider range of planting; the cultivation of the Netherlands is the most famous, but now tulips are also widely cultivated by other countries of the world. With their unique posture and colorful appearance, tulips have won the hearts of the people of all countries. Known as the "Queen of Flowers", many countries also recognize tulips as their national flower.

Since the Song and Jin Dynasties, with the continuous improvement of Tao Yuanming's position in China's traditional literature and art, the art of poetry and painting related to Tao Yuanming has been flourishing, which is fully reflected in the records of inscribed poems, and many paintings have been preserved to this day. In particular, many of Tao Yuanming's paintings related to chrysanthemums mainly include "picking chrysanthemums", "appreciating chrysanthemums" and "loving chrysanthemums". Some of these paintings belong to the category of figure painting, while others are the characteristics of landscape painting, or they are called landscape figure painting or figure landscape painting. The theme or theme painting related to these "Taoju" images has not only become an important content in the construction of painting history, but also reflects the deep connotation of the development of China's poetry and painting art. At the same time, the evolution process and morphological characteristics of these poetry and painting arts can not only reflect people's aesthetic ideology at that time, but also reflect the development laws and characteristics of traditional painting, which is of great significance to the study of the history of poetry and painting art.

The Thematic flower exhibition is carried out in urban parks with traditional garden style. Through flower exhibition design and engineering construction practice, the application of traditional garden thought in flower exhibition design is explored, and the relationship between traditional garden culture and modern urban garden life is further interpreted. The beauty of traditional garden, art and environment is brought into modern life by means of modern flower art and flower exhibition. Based on analyzing the design concept of Ziyang Park and the design concept of flower exhibition, the two design techniques are integrated; Highlight the possibility and reality of chrysanthemum exhibition in shaping garden culture; Combining the traditional garden beauty with the artistic beauty of chrysanthemum and floral art exhibition, the practice of picture scroll perception is applied. Creating the theme flower show practice with regional cultural characteristics and landscape pattern characteristics can strengthen and enhance the park gardening thought and artistic conception, and provide reference for the application of urban garden flowers.

Daylilies have a long history of cultivation in China, and has been known as the Yinan grass, forgetting worries grass, mother flower, etc. Throughout the ages, many literati have created a large number of poems and songs to praise daylilies, and the image of daylilies has also appeared frequently in the poetry and paintings of Yangzhou. The historical and cultural value of daylilies is worth studying and carrying forward.

Based on the understanding of the biological characteristics and ecological habits of different flowers, people compared the various natural attributes of flowers with people, and gradually form a variety of associations between the natural attributes of flowers and human nature and human society, and then form a universal social concept, that is, China 's unique flower culture. The diversity of flower species and forms is the natural basis for the formation of flower culture. Rhododendron is one of the top ten traditional flowers in China, with the reputation of ‘the beauty in flowers’. China has rich natural resources. From ancient times to the present, there are many literary works on Rhododendron. This paper analyzes and describes the literary works of different rhododendrons by appreciating the literary works of rhododendrons. It is believed that three different colors of red rhododendrons, white rhododendrons and purple rhododendrons can bring people different psychological feelings. The color depicts three different artistic conceptions and renders three different atmospheres. The azaleas expressing different emotional colors in literary works are mainly divided into two categories. One is the azaleas expressing sad feelings, showing the author 's inner desolation ; the second is a cuckoo that expresses a warm emotional color, highlighting the breath of wealth. Post-rainfall scenes and war scenes are important carriers for the expression of azalea situations. Through the appreciation of ancient literary works describing cuckoos, the cuckoo culture in ancient literature is appreciated, and the cuckoo culture and natural resources are combined and applied to the construction of modern gardens, so that people can feel the cultural edification and cultural charm in the garden, and get a richer experience of viewing flowers and flowers.

In urban green ecological life, large-scale urban flower exhibition is one of the important landscape gardening methods to display the image of the city. The chrysanthemum-themed flower show, as a well-known large-scale flower show in our country, was initially presented in the form of "combination of exhibition and competition". In the past 40 years, it has formed an urban garden cultural activity with a wide area and a long time. The design of the chrysanthemum exhibition has gradually developed from the initial single flower display mode of viewing and viewing flowers to multi-line, multi-content, multi-sensory and other multi-style exhibitions. On the basis of reviewing the historical chrysanthemum exhibition, this paper focuses on the importance of space design and the realization of five senses perception; combined with the design of the 39th Uprising Square Golden Autumn Chrysanthemum Exhibition in Wuhan, it focuses on the analysis of the exhibition space design and the realization process of five senses perception; based on the chrysanthemum The space design realized by morphological features, modeling skills and five senses of garden landscaping is scientific. The multi-functional space design is very important to display the beauty of chrysanthemums, create a multi-sensory experience, and discover the health-care functions of chrysanthemums. The chrysanthemum exhibition plays a positive role in promoting the development of chrysanthemum industry and urban culture.

design as an entry point, this paper explores new strategies for art intervention in Fuzhou Sha Yu No.1 Creative Studio Park. From the perspectives of industrial heritage restoration, Tandem park road, tenon and mortise concept introduction, and spatial storytelling, this paper awakens the audience's desire for exploration from a new perspective. It is summarized that participatory design includes the participation of space itself, the participation of spatial activity and memory, the participation of social interaction among the crowd, and the participation of other professional fields. This paper promotes the high-quality survival of the development of the creative studio park, and thus provides theoretical supplements and feasible design strategies for art intervention in creative studio parks, improving the quality and cultural connotation of the environment and space in creative studio parks.

A questionnaire survey was conducted to investigate the sales quantity and prices of Yunnan roses, carnations, and chrysanthemums at different festivals. SPSS statistical software was used to analyze the impact of flower culture on the sales and prices of holiday flowers, as well as the promotion of flower industry and other industries under the influence of festival culture. Taking chrysanthemums as an example, this article analyzes the conflict between traditional chrysanthemum culture in China and foreign "mourning flower" culture. By enhancing the cultural confidence and identity of contemporary young people, accepting foreign cultures, and selecting new varieties of chrysanthemums based on flower usage sites, we aim to reconstruct China's modern chrysanthemum culture and promote the development of the flower industry. It is concluded that flower culture has an important impact on the consumption and price of holiday flowers, and has an important driving effect on China's flower industry. We should continuously explore China's traditional flower culture and traditional festivals.

The night garden provides a place for the urban public to relax and entertain at night. As an important part of the night garden, aromatic plants play a positive role in the development of human physical and mental health. By tracing the origin of night garden, it is found that aromatic plants have been used for landscaping at home and abroad since ancient times, and the research on night garden has been carried out earlier in foreign countries. At present, the planning and design of night garden mostly considers the combination of bright color aromatic vegetation and landscape elements, and there are few studies on the combination and configuration of aromatic plants. The research on the health benefits of night gardens to the human body mainly considers the impact of single aromatic plant volatiles at night on the human body, and lacks discussion on the combination of aromatic plants. In summary, it is of great significance to consider the differences or synergies between the combined configuration of aromatic plants and the efficacy of single aromatic plants on human health effects, as well as the public 's preference for the configuration of aromatic plants, so as to provide reference for the planning and design of night garden.

Flower culture is rich in connotation, is the plant and human-related material and spiritual achievements of the general term. Museum is an important carrier of flower culture. Taking the collection of flower and wood paintings in some domestic museums as an example, this paper analyzes the flowers and plants in flower and wood paintings from a small angle, and looks at the rich history of ancient Chinese flower culture by drawing and judging flowers, spread the“Flower culture, Flower Art, Flower Life” beautiful idea.

Intangible cultural heritage along the Great Wall is an important part of domestic cultural heritage, and its protection and utilization have era value and important significance for the inheritance of intangible culture along the Great Wall and rural revitalization. Based on the CNKI literature database, with the help of CiteSpace visualization software, the research progress on the protection and utilization of Intangible cultural heritage along the Great Wall is visualized and analyzed. The research findings are as follows: (1) The current research on Intangible cultural heritage along the Great Wall is at the exploratory stage, and there are no fixed academic schools, few academic achievements, and few cooperation and exchanges between authors and institutions. (2) The research on the protection and utilization of Intangible cultural heritage along the Great Wall mainly focuses on four aspects: value mining research, protection method research, development and utilization research, and education inheritance research. (3) The future research on the protection and utilization of Intangible cultural heritage along the Great Wall can promote discipline exchanges and strengthen the comprehensive utilization strategy; Integrate heritage resources and establish a special protection plan for heritage; Promote value transformation and assist in the revitalization of rural areas along the Great Wall. By summarizing and analyzing the research process and shortcomings of the protection and utilization of Intangible cultural heritage along the Great Wall in China, the development trend of key research contents in the future is proposed to provide some reference for subsequent research in this field.

Folk artifact art is an important engine for the development of rural cultural industries, and promoting the revitalization of folk artifact art is an important way to stimulate the endogenous power of the countryside. Folk artifact art is a product of traditional Chinese culture, which embodies the aesthetics of "things for the people", the ecological view of "harmony and coexistence", the artistic view of "integration into life", the value of "making things for the people" and the value of seeking truth from facts, The values of "making things for the people" and the value of seeking truth from facts. With the development of skills, social organization, aesthetic appreciation and innovation, the folk artifact art of artifacts has gone from rough to refined, from single to diversified categories, from experimental to professional, and towards diversified operation, shared transformation and digital survival. At present, if we want folk artifact art to achieve innovative development under the strategy of rural revitalization, we should improve the transformation mode of creative design, the development mode of rural cultural industry and the cultivation mode of innovative talents in terms of folk artifact art ideas, folk art culture and folk art experience, in order to give a strong impetus to folk artifact art for rural revitalization.

This paper takes Yunnan Yongsheng flower industry as the research object, and discusses its advantages, trends and boosting effect on agricultural industry in the post-epidemic era. This paper summarizes the eternal flower industry, and expounds its definition, general situation of domestic and foreign industries and various market applications. This paper analyzes the impact of COVID-19 epidemic on the eternal flower industry, and emphasizes the contrarian surge of the demand for eternal flowers under the epidemic background. Then, the advantages of Yunnan's eternal flower industry are discussed, and the problems existing in the development process are revealed. Therefore, some countermeasures and suggestions such as policy, technology and publicity are put forward. Finally, the paper focuses on the boosting effect of Yunnan eternal flower industry on agricultural industry, and analyzes the promoting effects of policy support, technical service and publicity. It is found that the eternal flower industry has shown strong resilience under the test of epidemic situation, and Yunnan, as an important base, has unique natural conditions. However, there are still problems of ecological environment pressure and market competition in the process of industrial development. Therefore, the government should formulate policies that are conducive to the green development of industry, strengthen environmental supervision, and ensure the coordination between industry and ecology. At the same time, Yunnan Yongsheng Flower Industry has played an important role in promoting the development of agricultural industry, increasing farmers' income and promoting the construction of beautiful countryside, which has provided beneficial practice for the goal of "building a beautiful China". To sum up, this study not only provides in-depth analysis for the sustainable development of Yunnan's eternal flower industry, but also provides useful ideas for the strategic goal of coordinating environmental protection with economic development and revitalizing rural areas.

This article will provide a detailed introduction to the types, craftsmanship, and artistic styles of Ming and Qing furniture, and use comparative research methods to compare and analyze the artistic styles of Ming and Qing furniture and elucidate the reasons for style changes. I hope that through my comparative research on the artistic styles of furniture in the Ming and Qing dynasties, I can gain a deeper summary of my focus on furniture art and have some significance for the field of furniture art research.

By adopting inter-group and intra-group experiments, this study aims to explore the influence of different media represenations’ on flower-themed tourist desitnations, with the help of eye-tracking equipments andn TLK picture sort method gathering data. The research shows that the perceptive image influenced by media exists in pseudo-environment, and it can be divided into manifest image and latent image, experiment study methods testified media’s positive influence on perceptive image and the significant differences in perceptive image’s formation after different media stimuli.

With the continuous development and growth of the flower industry, seeking comprehensive high-quality development has become an important goal of the flower industry in Yunnan Province, and industrial integration will become an important way for the high-quality development of the flower industry in Yunnan Province. Therefore, this paper uses gray correlation analysis to explore the correlation between flower industry and tourism industry, and seeks an effective way to integrate flower tourism. This paper first analyzes the current situation of the integration of flower industry and tourism industry based on the gray correlation analysis method, and it can be seen that the integration of tourism industry and flower industry in Yunnan Province is mainly concentrated in the stage of flower planting as the attraction, and the overall integration degree with tourism and even the tertiary industry is average. Driven by the root cause of changes in consumer demand and driven by the reality of industrial structure upgrading, the flower industry provides industrial tourism resources with tourism value, and the services provided by the tourism industry are derived, and finally the integration of the flower industry and tourism is realized. Based on this, Yunnan Flower Tourism Integration can be based on the measures of attaching importance to the creation of flower landscapes, based on the condensation of flower culture, and taking root in the creation of a new industrial chain of flower tourism integration.

Campus green space is the main carrier of the school landscape and cultureand it has a very important significance for the work and life of teachers and students. In the past, the plant configuration of campus landscape was only satisfied with the principle of plant configuration and landscape demand, ignoring the function of the plant itself. Chinese herbal medicine is the cultural treasure of Chinese nation, not only has important economic and social benefits, but also contains the long history and culture of China. Medicinal plants connect people with the natural environment through smell, vision, touch, etc. and it has healing effects on human physical and mental health. This paper takes Yunnan Agricultural University hospital green space as the research object, combining the ornamental characteristics of medicinal plants and the growing environment for landscape design. During the process of landscape design, in order to create a multi-functional campus green landscape integrating viewing, science and technology culture and healing, we not only pay attention to the ornamental effect of the plants themselves, but also integrate the Chinese medicine theory and the medicinal efficacy of plants into the landscape.

"Embodied Cognition" emphasizes the foundational nature and operational processes of the body within cognition and mental activities. "Embodied Metaphor" denotes a cognitive activity in which individuals employ familiar bodily experiences to grasp abstract concepts. By amalgamating the pertinent theories of "Embodied Cognition" and "Embodied Metaphor, " this study conducts a nuanced analysis of the embodiment of flowers in the context of garden-based health preservation. It explores the metaphorical role of garden flowers and their resonance with the health-preserving philosophy inherent in classical Chinese literati gardens. The research delves into the underlying mechanisms, identifying the role of flowers in well-being that transcends their botanical attributes to approach spiritual essence. This exploration bears substantial significance for the study of flower culture.Through embodied sensory perception, the postures, colors, and scents of flowers initially acquire metaphorical connotations of well-being. Through experiential co-occurrence, the character and attributes of flowers induce heightened levels of spiritual awakening. Ultimately, by engaging interactively with flowers, a sense of experiencing communication and fusion between the body and nature is cultivated. This journey encompasses stages of "alleviation, " "awakening, " and "retreat, " gradually leading to the formation, comprehension, and practice of a health-preserving philosophy embodying the harmony between humans and nature, and the integration of form and spirit.

This paper explores the origin of the Chinese names of a range of ornamental plants (“plants”) and analyzes the eco-aesthetic values embodied in such names from various perspectives of beauty—formal, metaphorical, linguistic and literal—as gleaned from the greatest ancient classics of traditional Chinese medicine and relevant botanical literature. It offers insights into the worldview, values, culture and linguistic characteristics of the people of Chinese origin, as well as their increasingly wider exchanges with, and better understanding of, nature.

Chinese flower culture has a long history. This paper starts from the artistic technique of planting flowers and trees in Yangzhou GeYuan Garden, and demonstrated the flower culture connotation of classical gardens through its rich artistic expressions and emotional connotations. In the analysis of the measures of flower culture utilization and display in Geyuan and Huajuli blocks, to discuss how GeYuan Garden transforms the advantages of flower culture resources into development advantages, promote the integration of flower culture and tourism. Based on creating natural landscapes of flowers, themed night tourism brand products and flower events, mining the connotation of flower culture to promote the inheritance and development of flower culture.

There is a poem that where a drunken man enjoys pleasure, all plants are admirable ，This poem were wrote by Sushi in his "The Second Rhyme of Zhao Jingyi's Spring Thoughts and His Thoughts on the Mountains and Rivers of Wu and Yue" By linking the text of poetry and prose, it means that plants are adorable, appreciative, living, and capable of emotional communication with poets. This is also a manifestation of the "thing me relationship" among Chinese people. The plants described by Tibetan writer Alai in "A Tale of the Clouds" is not only an aesthetic plants, but also hides cultural codes. It is a continuation of Chinese plants culture and has gradually made some plants cultural classics.

Cherry Gardens in the Central Region of Xingyang are selected for this study. Examples of cherry gardens are Gubaidu Cherry Garden in Qingdao, xinnuo Cherry Valley in Qingdao and Shengshuiwan Industrial Park in Handan, this paper analyzes the construction, cherry varieties and plant configuration characteristics of Cherry Garden, summarizes the shortcomings of cherry garden construction, and looks forward to new cherry varieties and development.

The modern Olympic Games is an important carrier for countries to display material culture and spiritual civilization, and an important opportunity to shape the national image. From the perspective of communication aesthetics, the joint efforts of communication and aesthetics are an important way for the existence and extension of the consensus value of national image. Among them, the diversity and individuality of aesthetics point to the research topic of communication and culture. Based on the statistical analysis of the awarding flowers of the 32nd Summer Olympic Games and the 24th Winter Olympic Games, this paper uses the case analysis method to interpret and analyze the deep law of the design of the Olympic awarding flowers from the perspective of cultural symbolism, artistry and communication, and the display of the cultural value, spiritual pursuit and aesthetic view of the host country. It is proposed that the flowers of China 's international events should be aimed at shaping the national image, focusing on shaping a credible national image from ' sustainable development ', shaping a lovely national image from cultural connotation and aesthetic charm, and shaping a respectable national image from the spirit of innovation and seeking common ground while reserving differences. In order to provide reference for the design of flowers for international competitions in China, expand the research horizon of Olympic culture, and help the spread of national image.

The shift from spiritual utility to life utility to a new type of hybrid design is an inevitable part of historical advancement.The interaction between people and the environment can be experienced more deeply through multiple designs such as toys, handmade items, and modeling, and the power of life is intertwined and resonated in the flexible and changing world of design.The image based on power and emotion is a design expression oriented to real meaning.Human's own experience and emotion inspire the possible conception from the reality of life, moving from the design of feeling to the vision of image and spirit, grasping the natural and unnatural in design, understanding the relationship between image and emotion, material and design, focusing on the originality, imagination and inclusiveness of design, and uniting life and emotion, history and art.The interactive connection between image, designer and viewer is realized in strengthening the rituals of life and expression of experience, exploring the latent mythological content and visual forms of traditional decoratives, expanding the living space and fairy tale world of cultural design, and releasing the artistic tension of the decorative archetypes in the modern society through the intertwining of design based on multiple emotions.

The dragon and phoenix pattern on the Chaoshan Drawnwork handkerchief is the result of the exchange and fusion of Chinese and Western decorative patterns since the nineteenth century, as well as a medium that reflects the shift in aesthetic philosophy in the Chaoshan region at that time. By classifying and comparing the physical materials of white silk handkerchiefs collected by the people of the Chaoshan region, it is evident that the dragon and phoenix pattern represents the Chaoshan people's perception of the existence of life and the beauty of life in time and space, and is a projection of spiritual time and space. Utilizing the Chinese philosophical mode of thought, we examine the uniqueness of the dragon and phoenix themes from three perspectives: "gathering, " "sense, " and "permanence." We examine their singularity, inner "yin" and "yang" relationship, and the objective "harmony" and "life" rules that govern them. We will offer a fresh viewpoint on the aesthetic examination of traditional Chinese crafts.

The experimental materials were green octagonal gold plate and yellow Acer sycamore leaves. The color preserving effect of green octagonal gold plate and yellow Acer Sycamore leaves was studied by using two factor design method.The treatment of green octagon gold plate leaf concentration of 5%, 10%, 15% copper sulfate time of 5 minutes, 10 minutes, 15 minutes; The leaves of Acer yellow were treated with sucrose (4%, 7%, 10%, 13% concentration), citric acid (7.5%, 10%, 12.5%, 15% concentration), tartaric acid (7.5%, 10%, 12.5%, 15% concentration) for 30 minutes, 60 minutes, 120 minutes, respectively. The color and shape of the treated leaves were evaluated comprehensively after being pressed to dry completely, and the conclusions were drawn after observation. The two kinds of leaves were treated with different agents and different time combinations, but the color preserving effect of green anise golden plate leaves treated with 15% copper sulfate concentration for 10 minutes and yellow Acer australis leaves treated with 15% citric acid concentration for 60 minutes was the best in this experimental combination. Treatment with 15% copper sulfate for 10 minutes had the best effect on chlorophyll color preservation and treatment with 15% citric acid for 60 minutes had the best effect on Acer australis flavonoid color preservation.

In the growing process of children, preschool stage is the golden stage to cultivate children to form correct cognition and good living habits. Based on the guiding design principle and combined with the psychological development characteristics of preschoolers, this paper constructs the fun of furniture in the form of DIY and aims at cultivating the storage habit. Finally, it analyzes and designs the fun furniture design that guides and cultivates the storage habit of preschoolers.

Lotus has extremely rich connotation and unique cultural attributes in Chinese culture. Its characteristic of coming out of mud without being contaminated makes it a symbol of nobility, purity and honesty, which has a profound impact on the spiritual world and cultural inheritance of Chinese people. Lotus decorative patterns, as a decorative element with profound cultural heritage and unique artistic charm, occupy an important position in the history of arts and crafts. This article will take the cultural attributes of lotus in China as the background, analyze the evolution and inheritance significance of lotus decorative patterns in arts and crafts in different historical periods, and aim to reveal the important value of lotus decorative patterns in inheriting traditional culture and promoting the development of arts and crafts.

In ancient Shu culture, Du Yu, king of ancient Shu, is closely related to the image of rhododendron. This paper demonstrates the cultural relationship between the two by means of literature review, and draws the conclusion that rhododendron is an important symbol of ancient Shu culture. Based on the background and archaeological discovery of the environmental artistic conception construction in the ancient Shu period, this paper deduces the relevant features and timing characteristics of the ancient Shu period azaleas, and combines modern landscape interpretation techniques to explore and construct the landscape environment with the ancient Shu culture image in the garden environment of Jinsha Site Museum. It includes the construction of rhododendron slope, the construction of forest plate in western Sichuan, the application of rhododendron pattern, the construction of artistic conception of historical myth, and the selection of rhododendron species is preliminarily discussed. It is hoped to provide a theoretical basis for specific planning and design, and convey the rich connotation of ancient Shu culture through the image of rhododendron, and call for people to inherit and carry forward the Chinese culture.