Osmanthus fragrans is one of the ten most famous traditional flowers in China, of which cultivation history in our country was more than 2500 years. It not only has a strong historical and cultural connotation, but also has a wide range of applications in medicine, diet, literature and other fields. This paper summarizes the origin, development and application of O.fragrans from the aspects of spiritual culture and material utility, respectively. We want to help spreading the culture of O.fragrans, and giving ideas and support for the development of O.fragrans industry.

Intangible cultural heritage along the Great Wall is an important part of domestic cultural heritage, and its protection and utilization have era value and important significance for the inheritance of intangible culture along the Great Wall and rural revitalization. Based on the CNKI literature database, with the help of CiteSpace visualization software, the research progress on the protection and utilization of Intangible cultural heritage along the Great Wall is visualized and analyzed. The research findings are as follows: (1) The current research on Intangible cultural heritage along the Great Wall is at the exploratory stage, and there are no fixed academic schools, few academic achievements, and few cooperation and exchanges between authors and institutions. (2) The research on the protection and utilization of Intangible cultural heritage along the Great Wall mainly focuses on four aspects: value mining research, protection method research, development and utilization research, and education inheritance research. (3) The future research on the protection and utilization of Intangible cultural heritage along the Great Wall can promote discipline exchanges and strengthen the comprehensive utilization strategy; Integrate heritage resources and establish a special protection plan for heritage; Promote value transformation and assist in the revitalization of rural areas along the Great Wall. By summarizing and analyzing the research process and shortcomings of the protection and utilization of Intangible cultural heritage along the Great Wall in China, the development trend of key research contents in the future is proposed to provide some reference for subsequent research in this field.

Cultural innovation and technological innovation are the two wings of the new-quality design productivity. Design, as an industry with "innovation" as its essential gene, has broad prospects for development. Shanghai is one of the cities that have the best conditions for developing innovative design. Focusing on the construction of a World Design Capital, accelerating the development of cultural innovation and leading the large consumption of design will fundamentally promote the high-quality development of the design industry.

In this study, 201 colours were measured from 164 daylily species, and these colours were clustered by K-Means, and then Memphis design style colours, Chinese traditional colours and daylily colours were compared and analysed. The results show that: 93% of daylily colours are warm colours, daylily colours after clustering have similar colours with Memphis design style colours, but the contrast of daylily colours is weaker than that of Memphis style colours, and the two styles are different; five Memphis style colours after clustering have similar concepts with Chinese traditional five colours, and through the five of Chinese traditional colours, we can see the source of cultural self-confidence; some of daylily colours are very similar with Chinese traditional colours. Very similar, its display of natural beauty, social beauty, artistic beauty conveys the rich humanistic feelings such as forgetfulness, filial piety, nostalgia; the era of daylily "forgetfulness" cultural symbols have a new interpretation, daylily become one of the cultural symbols of socialist core values.

Paeonia lactiflora is a traditional famous flower in China. In recent years, there have been more and more areas holding Peony Cultural Festivals in China, and rich experience has been accumulated in the development, management, and organization of planning mode. By sorting out the development status of the domestic Peony Cultural Festivals, this paper analyzes the curatorial mode and highlights the current Peony Cultural Festivals. It is found that the Peony Cultural Festivals in many places can combine the local characteristic culture, activate the local Peony resources in multiple ways, vertically extend the Paeonia industrial chain, and deepen the integration and development of regional agriculture, culture, and tourism. However, to a certain extent, the dominant position of flower culture communication in the Peony Cultural Festivals was buried by the integration of multi-cultures and the extension and development of the' flower economy' industrial chain. Therefore, attaching importance to the leading role of Peony flower culture in Peony Cultural Festivals establishing a scientific and standardized festival evaluation system are important measures to promote the sustainable development of Peony Cultural Festivals tourism and revitalize Paeonia flower culture in China.

With the acceleration of the aging process, population aging has become a major issue in today's society, and the current elderly residential field has gradually received wide social attention. However, in addition to meeting the needs of the elderly, meeting the external space environment of social communication and fitness activities with the elderly is also one of the key points of the research. As a vulnerable group, the elderly have a single demand for daily activities, and the lack of various design elements in the activity space is becoming increasingly prominent. In the social environment of the elderly, outdoor parks happen to be the main activity venues for the elderly. Nowadays, the traditional large-scale park model is no longer suitable for the process of urban renewal. How to realize the harmonious coexistence of public activity space and the needs of the elderly through urban micro-renewal, and suitable for the aging of urban pocket parks have become the focus of general social attention. This paper studies the design of aging environment to analyze the current situation of pocket park and the needs of elderly users. From the perspective of environmental design, the environmental design strategy of urban pocket park is put forward. Through this study, the possibility of the multiple environment breakthrough for the elderly and the construction of urban pocket park meeting the needs of the "new elderly" is an indispensable topic in urban micro-renewal.

The cultural connotation of peony is fully discussed and explored by analyzing the origin of its name, the history of its cultivation and the intermingling of Chinese culture, the allusions to famous people, its application in gardens, etc. The peonyy is one of the mostl famous flowers in China. The peonyy is one of the mostl famous flowers in China. The cultivation history of peony in China can be traced back to more than 2, 000 years ago, and it flourished during the Tang and Song dynasties in China. It was greatly loved by the people because of its graceful and noble posture. Spanning more than 2, 000 years of life and death, it has been continuously blended with Chinese culture, and nowadays it is no longer just a symbol of beauty but also a symbol of wealth and good fortune and has become an inseparable part of Chinese culture. Meanwhile, peonies are widely used in modern gardens, such as peony specialized gardens, flower bands, flower platforms, and flower borders, and can also be used as potted plants and cut flowers, among which peony specialized gardens and peony flower platforms are the most widely used.

Flower tourism, developed based on flower culture, has become one of the most dynamic industries in the world today. Chinese flower culture seems to be centered around "flowers", while deep exploration is a cultural phenomenon dominated by "people". Li Bai's timeless quatrain "Heading east for Yangzhou among hazy vernal hues", the legend of Emperor Yang of Sui not looking for Viburnum macrocephalum Fort. f. keteleeri (Carr.) Rehd., and the plum blossoms in Jin Nong's paintings endow Yangzhou with rich spiritual and cultural connotations. At the same time, using flowers as a medium to construct the image of Yangzhou city and promote its tourism development. This article takes the "Plum Blossom Forest on Lake" in Yangzhou Slender West Lake Scenic Area as an example to deeply explore its rich flower culture connotation and its impact on the tourism peak season of Slender West Lake, and to explore the impact of flower culture on the tourism industry.

Peony(Peaonia lactiflora)is a famous indigenous flower and medicinal plant in China. Its long history of cultivation and application has left its imprint a strong mark in many ancient books and classics, and formed an abundant and colorful Chinese paeonia culture, which has become an important part of Chinese traditional culture. This paper sorts out and analyzes the description of peony in Chinese ancient novels such as The Classic of Mountains and Seas, A Dream of Red Mansions, opera or scripts such as the Peony Pavilion and introduces the peony in pharmacopoeia such as Compendium of Materia Medica. The results of this study have a certain reference significance for perfecting the traditional flower culture system and promoting Chinese flower culture.

Orchids have been rated as one of the top ten famous flowers in China and are collectively referred to as the "Four Gentlemen" along with "plum, bamboo, and chrysanthemum". They have important ornamental, medicinal, and economic value; Orchids have a long cultivation history, rich cultural connotations, and wide applications in China, and are a symbol of "nobility and elegance". Based on this, this article first elaborates on the morphological characteristics, classification, geographical distribution, biological learning ability, and reproductive methods of orchids. Secondly, the origin of orchids and the cultural connotations of orchids in literature, philosophy, painting, and cuisine are sorted out and excavated. Finally, the application of orchids in landscape architecture, medicine, cosmetics, diet, and other fields is explored, in order to provide reference for promoting the transformation and upgrading of China's flower industry, the construction of beautiful countryside, and the development of healthy horticulture.

Lotus has extremely rich connotation and unique cultural attributes in Chinese culture. Its characteristic of coming out of mud without being contaminated makes it a symbol of nobility, purity and honesty, which has a profound impact on the spiritual world and cultural inheritance of Chinese people. Lotus decorative patterns, as a decorative element with profound cultural heritage and unique artistic charm, occupy an important position in the history of arts and crafts. This article will take the cultural attributes of lotus in China as the background, analyze the evolution and inheritance significance of lotus decorative patterns in arts and crafts in different historical periods, and aim to reveal the important value of lotus decorative patterns in inheriting traditional culture and promoting the development of arts and crafts.

The Thematic flower exhibition is carried out in urban parks with traditional garden style. Through flower exhibition design and engineering construction practice, the application of traditional garden thought in flower exhibition design is explored, and the relationship between traditional garden culture and modern urban garden life is further interpreted. The beauty of traditional garden, art and environment is brought into modern life by means of modern flower art and flower exhibition. Based on analyzing the design concept of Ziyang Park and the design concept of flower exhibition, the two design techniques are integrated; Highlight the possibility and reality of chrysanthemum exhibition in shaping garden culture; Combining the traditional garden beauty with the artistic beauty of chrysanthemum and floral art exhibition, the practice of picture scroll perception is applied. Creating the theme flower show practice with regional cultural characteristics and landscape pattern characteristics can strengthen and enhance the park gardening thought and artistic conception, and provide reference for the application of urban garden flowers.

Based on the understanding of the biological characteristics and ecological habits of different flowers, people compared the various natural attributes of flowers with people, and gradually form a variety of associations between the natural attributes of flowers and human nature and human society, and then form a universal social concept, that is, China 's unique flower culture. The diversity of flower species and forms is the natural basis for the formation of flower culture. Rhododendron is one of the top ten traditional flowers in China, with the reputation of ‘the beauty in flowers’. China has rich natural resources. From ancient times to the present, there are many literary works on Rhododendron. This paper analyzes and describes the literary works of different rhododendrons by appreciating the literary works of rhododendrons. It is believed that three different colors of red rhododendrons, white rhododendrons and purple rhododendrons can bring people different psychological feelings. The color depicts three different artistic conceptions and renders three different atmospheres. The azaleas expressing different emotional colors in literary works are mainly divided into two categories. One is the azaleas expressing sad feelings, showing the author 's inner desolation ; the second is a cuckoo that expresses a warm emotional color, highlighting the breath of wealth. Post-rainfall scenes and war scenes are important carriers for the expression of azalea situations. Through the appreciation of ancient literary works describing cuckoos, the cuckoo culture in ancient literature is appreciated, and the cuckoo culture and natural resources are combined and applied to the construction of modern gardens, so that people can feel the cultural edification and cultural charm in the garden, and get a richer experience of viewing flowers and flowers.

Daylilies have a long history of cultivation in China, and has been known as the Yinan grass, forgetting worries grass, mother flower, etc. Throughout the ages, many literati have created a large number of poems and songs to praise daylilies, and the image of daylilies has also appeared frequently in the poetry and paintings of Yangzhou. The historical and cultural value of daylilies is worth studying and carrying forward.

In ancient Shu culture, Du Yu, king of ancient Shu, is closely related to the image of rhododendron. This paper demonstrates the cultural relationship between the two by means of literature review, and draws the conclusion that rhododendron is an important symbol of ancient Shu culture. Based on the background and archaeological discovery of the environmental artistic conception construction in the ancient Shu period, this paper deduces the relevant features and timing characteristics of the ancient Shu period azaleas, and combines modern landscape interpretation techniques to explore and construct the landscape environment with the ancient Shu culture image in the garden environment of Jinsha Site Museum. It includes the construction of rhododendron slope, the construction of forest plate in western Sichuan, the application of rhododendron pattern, the construction of artistic conception of historical myth, and the selection of rhododendron species is preliminarily discussed. It is hoped to provide a theoretical basis for specific planning and design, and convey the rich connotation of ancient Shu culture through the image of rhododendron, and call for people to inherit and carry forward the Chinese culture.

The night garden provides a place for the urban public to relax and entertain at night. As an important part of the night garden, aromatic plants play a positive role in the development of human physical and mental health. By tracing the origin of night garden, it is found that aromatic plants have been used for landscaping at home and abroad since ancient times, and the research on night garden has been carried out earlier in foreign countries. At present, the planning and design of night garden mostly considers the combination of bright color aromatic vegetation and landscape elements, and there are few studies on the combination and configuration of aromatic plants. The research on the health benefits of night gardens to the human body mainly considers the impact of single aromatic plant volatiles at night on the human body, and lacks discussion on the combination of aromatic plants. In summary, it is of great significance to consider the differences or synergies between the combined configuration of aromatic plants and the efficacy of single aromatic plants on human health effects, as well as the public 's preference for the configuration of aromatic plants, so as to provide reference for the planning and design of night garden.

The cultural connotation of tulips is fully discussed and explored by analyzing the origin of their names, cultivation history, literary works, and garden applications. The tulip is a world-famous bulbous flower and one of the most important flowers in the international flower market. Tulips in Europe and the United States have a wider range of planting; the cultivation of the Netherlands is the most famous, but now tulips are also widely cultivated by other countries of the world. With their unique posture and colorful appearance, tulips have won the hearts of the people of all countries. Known as the "Queen of Flowers", many countries also recognize tulips as their national flower.

Since the Song and Jin Dynasties, with the continuous improvement of Tao Yuanming's position in China's traditional literature and art, the art of poetry and painting related to Tao Yuanming has been flourishing, which is fully reflected in the records of inscribed poems, and many paintings have been preserved to this day. In particular, many of Tao Yuanming's paintings related to chrysanthemums mainly include "picking chrysanthemums", "appreciating chrysanthemums" and "loving chrysanthemums". Some of these paintings belong to the category of figure painting, while others are the characteristics of landscape painting, or they are called landscape figure painting or figure landscape painting. The theme or theme painting related to these "Taoju" images has not only become an important content in the construction of painting history, but also reflects the deep connotation of the development of China's poetry and painting art. At the same time, the evolution process and morphological characteristics of these poetry and painting arts can not only reflect people's aesthetic ideology at that time, but also reflect the development laws and characteristics of traditional painting, which is of great significance to the study of the history of poetry and painting art.

design as an entry point, this paper explores new strategies for art intervention in Fuzhou Sha Yu No.1 Creative Studio Park. From the perspectives of industrial heritage restoration, Tandem park road, tenon and mortise concept introduction, and spatial storytelling, this paper awakens the audience's desire for exploration from a new perspective. It is summarized that participatory design includes the participation of space itself, the participation of spatial activity and memory, the participation of social interaction among the crowd, and the participation of other professional fields. This paper promotes the high-quality survival of the development of the creative studio park, and thus provides theoretical supplements and feasible design strategies for art intervention in creative studio parks, improving the quality and cultural connotation of the environment and space in creative studio parks.

This article introduces the outstanding contributions of Professor Zhou Wuzhong, Director of the International Center for Innovative and Design at Shanghai Jiao Tong University, in the field of rural revitalization design. With his profound academic background and rich practical experience, Professor Zhou has promoted theoretical innovation and practical exploration in rural design. Through the publication of his monograph Neo-Rualism, the release of the Dingshan Declaration on Rural Design and the Shanghai Consensus on Rural Design, the establishment of the International Rural Designers Club, and the successful implementation of multiple rural design projects, he has not only enhanced the social recognition of rural design but also provided systematic solutions for rural revitalization. Professor Zhou's theory of "Neo-Ruralism, " which emphasizes the harmony of "production, life, and ecology, " has become an important reference for rural revitalization. His practical cases, such as the planning of the Anji Longwang Mountain Natural Eco-Tourism Zone and the environmental improvement of Jindatian Village, demonstrate the immense potential of rural design in practical applications.

This article will provide a detailed introduction to the types, craftsmanship, and artistic styles of Ming and Qing furniture, and use comparative research methods to compare and analyze the artistic styles of Ming and Qing furniture and elucidate the reasons for style changes. I hope that through my comparative research on the artistic styles of furniture in the Ming and Qing dynasties, I can gain a deeper summary of my focus on furniture art and have some significance for the field of furniture art research.

Zhang Jian, the top scholar in Qing dynasty, had two hobbies in his life: architecture and tree planting. Compared with the two, love trees more. In 1903, Zhang went to Japan and saw some strange trees in the land of Japan. About 28 species were introduced back to China. In 1904, he founded the first public botanical garden in Nantong and rebuilt the museum in 1905. He once wrote, “The old man in Si'an loved the tree, and he had planted many thousands of trees in his life.”Zhang Jian's penchant for trees and flowers ranged from the act of introducing and planting trees to the effusive poetry of plants, with 1, 641 poems written directly or indirectly on the names of plants, involving 258 species of plants, both Afforestation and verse, unique many vivid stories, describing the wonderful people and plants, symbiosis.

In the growing process of children, preschool stage is the golden stage to cultivate children to form correct cognition and good living habits. Based on the guiding design principle and combined with the psychological development characteristics of preschoolers, this paper constructs the fun of furniture in the form of DIY and aims at cultivating the storage habit. Finally, it analyzes and designs the fun furniture design that guides and cultivates the storage habit of preschoolers.

The dragon and phoenix pattern on the Chaoshan Drawnwork handkerchief is the result of the exchange and fusion of Chinese and Western decorative patterns since the nineteenth century, as well as a medium that reflects the shift in aesthetic philosophy in the Chaoshan region at that time. By classifying and comparing the physical materials of white silk handkerchiefs collected by the people of the Chaoshan region, it is evident that the dragon and phoenix pattern represents the Chaoshan people's perception of the existence of life and the beauty of life in time and space, and is a projection of spiritual time and space. Utilizing the Chinese philosophical mode of thought, we examine the uniqueness of the dragon and phoenix themes from three perspectives: "gathering, " "sense, " and "permanence." We examine their singularity, inner "yin" and "yang" relationship, and the objective "harmony" and "life" rules that govern them. We will offer a fresh viewpoint on the aesthetic examination of traditional Chinese crafts.

Folk artifact art is an important engine for the development of rural cultural industries, and promoting the revitalization of folk artifact art is an important way to stimulate the endogenous power of the countryside. Folk artifact art is a product of traditional Chinese culture, which embodies the aesthetics of "things for the people", the ecological view of "harmony and coexistence", the artistic view of "integration into life", the value of "making things for the people" and the value of seeking truth from facts, The values of "making things for the people" and the value of seeking truth from facts. With the development of skills, social organization, aesthetic appreciation and innovation, the folk artifact art of artifacts has gone from rough to refined, from single to diversified categories, from experimental to professional, and towards diversified operation, shared transformation and digital survival. At present, if we want folk artifact art to achieve innovative development under the strategy of rural revitalization, we should improve the transformation mode of creative design, the development mode of rural cultural industry and the cultivation mode of innovative talents in terms of folk artifact art ideas, folk art culture and folk art experience, in order to give a strong impetus to folk artifact art for rural revitalization.

Against the backdrop of the integration of digital technology and cultural tourism, this article focuses on the scene generation and experience design of immersive performances. The essence of immersive performances, as a fusion of drama, technology, and spatial design, reconstructs the relationship between the audience and the performance through interactivity, a sense of immersion, and innovation. A scene generation model is constructed, which combines physical, virtual, and cultural spaces into one. The experience design centers around the "human" and strengthens participation through interactive and digital means. It optimizes the design of "objects" by integrating digital technology and artistic scenes, and improves the experience system with emotional interaction and digital communication. The article also points out that the industry is faced with challenges such as technological iteration, lack of standards, and changing demands. Additionally, taking Wuxi as a regional practical example, the article provides theoretical and practical support for the technological innovation, cultural inheritance, and industrial development of immersive performances.

The special geographical location and ecological conditions of Aksu Prefecture, Xinjiang breeds a variety of wild ornamental flowers with strong regional characteristics. The wild ornamental flowers resources in Aksu area were statistic analysis by field investigation, specimen collection and identification，literature review, the results show, there are 101 species of wild ornamental flowers (including varieties), belong to 32 family and 80 genera, The species composition, distribution area, habitat characteristics, ornamental value and landscape applications of those wild ornamental flowers resources were also recorded and evaluate, which provide a basis evidence for the introduction and domestication, development and utilization, cultivate new varieties of wild ornamental flowers in Aksu Prefecture.

The shift from spiritual utility to life utility to a new type of hybrid design is an inevitable part of historical advancement.The interaction between people and the environment can be experienced more deeply through multiple designs such as toys, handmade items, and modeling, and the power of life is intertwined and resonated in the flexible and changing world of design.The image based on power and emotion is a design expression oriented to real meaning.Human's own experience and emotion inspire the possible conception from the reality of life, moving from the design of feeling to the vision of image and spirit, grasping the natural and unnatural in design, understanding the relationship between image and emotion, material and design, focusing on the originality, imagination and inclusiveness of design, and uniting life and emotion, history and art.The interactive connection between image, designer and viewer is realized in strengthening the rituals of life and expression of experience, exploring the latent mythological content and visual forms of traditional decoratives, expanding the living space and fairy tale world of cultural design, and releasing the artistic tension of the decorative archetypes in the modern society through the intertwining of design based on multiple emotions.

Clematis is a worldwide famous vine flower with the reputation of "vine queen". It has been loving by horticultural enthusiasts all over the world because of its rich colors and beautiful patterns. Although China has the most abundant germplasm resources of this genus, it has not been systematically cultivated, and its wild resources have not been protected and well exploited. At present, the new varieties of this genus are mainly cultivated by horticultural breeder from Britain, Poland and other European places, China gardeners has not yet cultivated new varieties with independent intellectual property rights. Based on the analysis of China's clematis plant resources, introduction and domestication, cultivation and breeding, this paper puts forward the strategies for its breeding development and application, hoping to provide useful reference for the large-scale production of China's clematis flowers.

On September 28, 2024, the 10th Oriental Design Forum, themed "Urban-Rural Integration and Beautiful Rural Design, " was grandly held at the Jinshan sub-venue of the 2024 World Design Cities Conference (WDCC2024). The forum was jointly organized by multiple institutions and received strong support from government and academic organizations. It brought together experts, scholars, university faculty and students, and corporate representatives from the design field, both domestically and internationally, to explore the latest advancements in urban-rural integration and beautiful rural design. At the opening ceremony, Liu Yufeng, Chairman of the Jinshan District Committee of the Chinese People's Political Consultative Conference (CPPCC), delivered a speech emphasizing the critical role of design in urban-rural integration and rural revitalization. Subsequently, Dr. Zhou Zhicheng, Chief Representative of the Shanghai Office of the International Design Science Society (USA), released the Shanghai Consensus on Rural Design and unveiled the International Rural Designers Club. The thematic forum and academic dialogues, chaired by renowned professors and experts, delved into multi-dimensional practices of urban-rural integration and innovative approaches to rural design. The forum not only provided theoretical support and practical guidance for design and rural revitalization but also showcased Shanghai's leading role in global design collaboration and innovation.

On the afternoon of November 23, 2024, the 2024 Symposium on the Inheritance and Protection Project of Agricultural Culture was held in Conference Room 1 of Building 52 at the National Agricultural Exhibition Center. The event was guided by the Department of Rural Social Affairs Promotion of the Ministry of Agriculture and Rural Affairs, hosted by Shanghai Jiao Tong University, and co-organized by multiple institutions. Experts and representatives from government agencies, academia, and the business sector attended the symposium. Centering on the theme of "Rural Aesthetics and Rural Memory, " the discussions highlighted the significance and specific approaches to inheriting and protecting agricultural culture. Participants shared their research findings and practical experiences, emphasizing the pivotal role of rural aesthetics in rural revitalization. Several concrete measures were proposed to promote the preservation and innovation of agricultural culture, contributing to the comprehensive revitalization of rural areas.

To study and explore the design paths and methods for updating the ancestral hall space in traditional Chinese villages, and to promote the improvement of the design methods and theories related to ancestral halls, it is necessary to first, categorize the users' needs through literature research, user interviews, field observation and other methods; secondly, classify the attributes of each category of needs by using the Kano model; and then, prioritize the users' needs for the ancestral hall space of the former plain village; and finally, clarify the priority of each need with the Better-Worse coefficient as the direction and basis for the renewal design of the traditional village ancestral halls. Finally, the Better-Worse coefficient is used to clarify the priority of each demand, which is used as the direction and basis for the renewal design of the ancestral hall in traditional villages. Finally, 2 essential needs, 15 desirable needs and the prioritization of each need are identified, which points out the direction and idea of ancestral hall renewal design. From the perspective of users' needs, the KANO model is used to effectively analyze the types and priorities of the needs of the users of traditional village ancestral halls under the collective memory, which provides scientific and reasonable new ideas for the renewal design of similar traditional buildings and is conducive to the improvement and enrichment of the design theory of the existing ancestral halls.

The ancient poetry condensed by the rural landscape and the poet's spirit is the aesthetic symbol of the living environment of Jiangnan water village. With the integrated and modernized construction of the Yangtze River Delta megacity cluster, the poetic charm of the water towns in the south of the Yangtze River is gradually fading away. Based on the thought system of environmental aesthetics in ancient China, this study analyzes the aesthetic characteristics of "naturalness" and "artificiality" in the ancient poems of South China. And conduct an aesthetic preference analysis of the image elements of "environment - human settlement" in the water towns of Jiangnan in ancient poetry texts. The results show that environmental elements such as mountains and forests, rivers, the sun and the moon, flowers and trees, together with human settlement elements such as villages and farmlands, constitute poetic scenes such as the "mountain-water pattern", "river village settlements" and "rural farming" of the water towns in the south of the Yangtze River. Finally, on the basis of this, the author puts forward the poetic expression path of "environment-human settlement" from three aspects: landscape painting, flower and wood scene and pastoral interest, which provides guidance for the protection of landscape image of Jiangnan and the scene construction of poetic dwelling.

習近平總書記在清華大學考察時指出，要發揮美術在服務經濟社會發展中的重要作用，把更多美術元素、藝術元素應用到城鄉規劃建設中，增強城鄉審美韻味、文化品位，把美術成果更好服務於人民群眾的高品質生活需求。鄉村振興既要塑形，更要鑄魂，開展鄉村美育工作，也是實現鄉村文化治理、促進鄉村振興的手段與方式。近年來，在上海崇明建設鎮富安鄉村振興示範村建設過程中，依託富安鄉村美術館的創建，鎮政府、村委會聯合公益組織等社會力量開展了“鄉村美育”項目的實踐探索，展現了鄉村美育賦能鄉村振興的可行路徑。本文以建設鎮富安鄉村美術館為對象，分析總結其“鄉村美育”項目的發展歷程、現狀概況、實施成效和麵臨問題，旨在進一步發現問題、提出對策，為鄉村美育更好賦能鄉村振興探尋更多的方法路徑，推動鄉村美育在建設鎮更大範圍、更深層次的推廣實施，助力上海鄉村文化振興。

構建“宜居宜業的和美鄉村”，鄉村景觀的精心打造成為了推動鄉村產業轉型升級的關鍵杠杆。在此進程中，文化不僅是景觀建設的靈魂核心，美育則扮演著傳承鄉村傳統文化精髓的重要角色。和美鄉村的美學構建，是一場深刻的歷史與現實交織、理論與實踐並進的探索，它巧妙融合國家宏觀戰略與地方具體實踐，共同繪就和美鄉村的宏偉藍圖。本文深入剖析了美育在和美鄉村建設中的不可或缺性、迫切需求及其鮮明的時代特徵。美育的融入不僅關乎鄉村面貌的美化，更是對鄉村文化根脈的深情回望與未來展望。在美育與鄉村景觀的深度融合中，力求展現“人善”的和諧之美與“本真”的自然之韻，引導公眾形成積極向上的審美觀念，進而催生“美學經濟”的嶄新業態。並創新性地提出了構建“美欲需求”、“美的意境”及“美學經濟”三大維度的策略框架，讓鄉村景觀不僅提升了美學價值和文化內涵，推動了中華傳統文化的活態傳承，為打造和美鄉村貢獻設計力量。

本研究探討了雙色圖案中色彩自然感與色彩對比度對審美偏好的影響。通過實驗分析發現，高自然感的色彩組合通常能顯著提升圖案的美感和喜愛度，而低自然感的組合則在高對比度條件下表現更優。研究還揭示了參與者在圖案選擇中會將色彩偏好與個人經歷及應用場景相聯繫，在大場景中傾向於柔和色彩組合，小物體中則偏好明亮且對比強烈的組合。本研究為雙色圖案設計中的色彩選擇提供了新的見解，有助於提升設計的審美效果和應用價值。

In urban development, the phenomenon of social spatial differentiation is a prominent issue in the context of globalization and political and economic transformation. Represented by the two typical settlements of human production and life, urban and rural areas, this is manifested in the uneven distribution of various resource elements between urban and rural areas. Based on this, this article focuses on the spatial transformation of social issues, focusing on the "new cities" in the urban-rural transition zone of metropolises. It explores the "ecological transformation" and "cultural transformation" of new city construction, focusing on the ecological value demands of spatial justice, the comprehensive development of human freedom, and the practice of ecological civilization construction. It explores the strategies for the construction of Shanghai's five major new cities and the integration of urban and rural development.

本文以鄉土設計為切入點，以山東省日照市東港區濤雒鎮下元一村和山東省萊州市沙河鎮鄉村民藝為例，從城鎮化進程中的鄉土設計問題、鄉土文化是鄉村振興設計的關鍵因素、實施鄉村文化振興戰略的幾點建議等層面，探索助力“鄉村文化振興”的設計之路。

鄉村公共空間一直以來都是維繫鄉村居民與鄉村關係的紐帶，也是傳承鄉土文化的重要載體。本研究通過實地調查、訪談，考察涼山州四季吉村的社會記憶要素，發現該地區的公共空間在功能性和文化表達方面存在較大的不足。基於此，本文以四季吉村為研究對象，通過傳統建築形式的復原和創新，強調建築記憶歷史與現代的融合。通過採用當地材料，將景觀引入庭院以及不破壞場地原有的生態環境，強調人與自然和諧共生。通過文化符號的再現和應用，強調突然紋樣記憶的傳承和認同。研究結果表明，基於社會記憶理論的設計有效改善鄉村公共空間的功能和美觀，促進社會記憶的延續，增強了村民對公共空間的情感聯繫， 對助力鄉村振興和文化傳承具有重要的意義。